Willard A. Palmer, By Stephen Heller / ed. A useful starting point would be to analyse which keys the music visits to establish which arpeggios need to be fluently known (although it is to be hoped that the student knows them all well at this point!). The piece is commonly assigned to piano students and appears in many anthologies; pedagogically it fosters the playing of an even sixteenth note rhythm by alternating hands. This is achieved by ensuring that there is freedom of movement in the whole body, starting with the hand position. Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. Willard A. Palmer, MacDowell: To a Wild Rose, Opus 51, No. Skill Level: 6 out of 9 Type: Original: Similar Titles Genre: Weddings Composed by: Carl Philip Emanuel Bach CPE (1714 to 1788). The student could practise the main theme in these various keys to begin with, taking great care to use consistent, careful fingering. Watch this ease of movement in Martha Argarich's playing of the very energetic Partita No 2 by J S Bach. Download Membership. A good performance will be neat and accurate, perhaps a little slower but certainly not ponderous in pace. The first duty of the teacher is to ensure that the student uses a copy of the music by a reputable publisher, since this piece has been subject to massive over-editing in some editions, making it more difficult to play without adding any musical enhancement. The technique of playing scales and arpeggios is of paramount importance in this piece, since these feature largely throughout. Dynamic detail will be convincing, articulation well considered. only one note is played at a time. 126. Fingering must have become automatic long before a performance. legato and the repeated chords in the LH of the bars such as b14 and 16 need to be lightly detached. Difficulty Level: Intermediate Harp Type: Pedal Harp Accompaniment: Solos. Bear in mind that editions of this work are often over-edited and those bars may or may not be marked staccato. The style of the music is toccata-like and has more in common with the Baroque than the Classical era. Want to get the latest updates and special offers from Alfred Music? Whatever you see in the score, go for lightly detached articulation that is defined in tone yet not too percussive, and keeps a sense of phrase definition. This is definitely a choice for the student who loves to play fast, since this is a rewarding piece that lies well under the fingers once known. A straight line down the Finger 5 side of the forearm is to be maintained where possible, even when the hand travels up to the higher keys. Notice how Shehori defines these notes. Willard A. Palmer. C P E Bach (1714 - 1788) was the second son of the great Baroque composer, J S Bach. By Carl Philipp Emanuel Bach / ed. Listen to Shehori's shaping of Bars 1 - 13. Another pitfall is to change the fingering instead of keeping to the same, consistent pattern. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. The work is unusual for a keyboard piece in that the main theme and some other passages are fully monophonic, i.e. Willard A. Palmer, J. S. Bach: Menuet in G Major, BWV Anh. Description: Solfeggietto, also sometimes known as Solfeggio, for piano solo. 13 in A Minor, By Muzio Clementi / ed. The main theme, with its characteristic arpeggios and scales has a C minor opening; there is a modulation to G minor, ready for Bar 9; the main theme is restated in F minor at Bar 17; we return to C minor for the ending. Our Thanksgiving Weekend sale is here! Willard A. Palmer, Ellmenreich: Spinning Song, Opus 14, No. The pdf example here shows sensible fingering guidelines that should suit most hands. The sequential nature of Bars 1 - 4 make it all too easy to just keep going up the keyboard, extending the pattern too far and, in effect, re-inventing the music! Bach is subtitled "Beyond the Solfeggio in C Minor". There is nothing worse in ornamentation than obtrusive trills that interrupt the pulse. Commonly known as CPE Bach, he was the third son of JS Bach … Barely perceptible pedal may be used to enrich the tone of the semibreves at Bars 22 - 24, as long as the following semibreves are not blurred. Willard A. Palmer, J. S. Bach: Two-Part Invention No. Harp transcription of the popular teaching piece. … This is because once the piece has been memorised, it becomes more difficult for the student to follow the dynamic markings in the score. This piece is easily Bach's best-known, to the point that Paul Corneilson's introduction to The Essential C.P.E. Solfeggietto (Miller) BACH, C.P.E./MILLER. The most important thing s to remember about playing scales and arpeggios is to keep a healthy hand position. Solfeggietto … Use promo code THANKS at checkout to receive 30% off your order and free shipping. Musical style did not, of course, suddenly change from being Baroque in style to Classical and C P E Bach's work may be regarded as a transition between the two periods.